George Washington

George Washington, (February 22, 1732 [O.S. February 11, 1731] – December 14, 1799) was the dominant military and political leader of the new United States of America from 1775 to 1799. He led the American victory over Great Britain in the American Revolutionary War as commander-in-chief of the Continental Army in 1775–1783, and he presided over the writing of the Constitution in 1787. The unanimous choice to serve as the first President of the United States (1789–1797), Washington presided over the creation of a strong, well-financed national government that stayed neutral in the wars raging in Europe, suppressed rebellion and won acceptance among Americans of all types. His leadership style established many forms and rituals of government that have been used ever since, such as using a cabinet system and delivering an inaugural address. Washington is universally regarded as the "Father of his country".

In Colonial Virginia, Washington was born into the provincial gentry in a wealthy, well connected family that owned tobacco plantations using slave labor. He was home schooled by his father and older brother, but both died young, and he became attached to the powerful Fairfax clan, who promoted his career as a surveyor and soldier. Strong, brave, eager for combat, and a natural leader, young Washington quickly became a senior officer of the colonial forces, 1754–58, during the first stages of the French and Indian War. Indeed, his rash actions helped precipitate the war. Washington's experience, his military bearing, his leadership of the Patriot cause in Virginia, and his political base in the largest colony made him the obvious choice of the Second Continental Congress in 1775 as commander-in-chief of the Continental Army to fight the British in the American Revolution. He forced the British out of Boston in 1776, but was defeated and nearly captured later that year when he lost New York City. After crossing the Delaware River in the dead of winter, he defeated the enemy in two battles, retook New Jersey, and restored momentum to the Patriot cause. Because of his strategy, Revolutionary forces captured two major British armies at Saratoga in 1777 and Yorktown in 1781. Negotiating with Congress, governors, and French allies, he held together a tenuous army and a fragile nation amid the threats of disintegration and invasion. Historians give the commander in chief high marks for his selection and supervision of his generals, his encouragement of morale, his coordination with the state governors and state militia units, his relations with Congress, and his attention to supplies, logistics, and training. In battle, however, Washington was repeatedly outmaneuvered by British generals with larger armies. Washington is given full credit for the strategies that forced the British evacuation of Boston in 1776 and the surrender at Yorktown in 1781. After victory had been finalized in 1783, Washington resigned rather than seize power, and returned to his plantation at Mount Vernon, proving his opposition to dictatorship and his commitment to the emerging American political ideology of republicanism.

Washington presided over the Constitutional Convention that drafted the United States Constitution in 1787 because of his dissatisfaction with the weaknesses of Articles of Confederation that had time and again impeded the war effort. Washington became the first President of the United States in 1789. He attempted to bring rival factions together to unify the nation. He supported Alexander Hamilton's programs to pay off all state and national debt, implement an effective tax system, and create a national bank, despite opposition from Thomas Jefferson. Washington proclaimed the U.S. neutral in the wars raging in Europe after 1793. He avoided war with Great Britain and guaranteed a decade of peace and profitable trade by securing the Jay Treaty in 1795, despite intense opposition from the Jeffersonians. Although never officially joining the Federalist Party, he supported its programs. Washington's "Farewell Address" was an influential primer on republican virtue and a stern warning against partisanship, sectionalism, and involvement in foreign wars.

Washington had a vision of a great and powerful nation that would be built on republican lines using federal power. He sought to use the national government to improve the infrastructure, open the western lands, promote commerce, found a permanent capital, reduce regional tensions and promote a spirit of nationalism. "The name of American", he said, must override any local attachments.At his death, Washington was hailed as "first in war, first in peace, and first in the hearts of his countrymen". The Federalists made him the symbol of their party but for many years, the Jeffersonians continued to distrust his influence and delayed building the Washington Monument. As the leader of the first successful revolution against a colonial empire in world history, Washington became an international icon for liberation and nationalism. His symbolism especially resonated in France and Latin America. He is consistently ranked among the top five presidents of the United States.

Commander of Virginia Regiment

Governor Dinwiddie rewarded Washington in 1755 with a commission as "Colonel of the Virginia Regiment and Commander in Chief of all forces now raised in the defense of His Majesty's Colony" and gave him the task of defending Virginia's frontier. The Virginia Regiment was the first full-time American military unit in the colonies (as opposed to part-time militias and the British regular units). Washington was ordered to "act defensively or offensively" as he thought best. In command of a thousand soldiers, Washington was a disciplinarian who emphasized training. He led his men in brutal campaigns against the Indians in the west; in 10 months units of his regiment fought 20 battles, and lost a third of its men. Washington's strenuous efforts meant that Virginia's frontier population suffered less than that of other colonies; Ellis concludes "it was his only unqualified success" in the war.

In 1758, Washington participated in the Forbes Expedition to capture Fort Duquesne. He was embarrassed by a friendly fire episode in which his unit and another British unit thought the other was the French enemy and opened fire, with 14 dead and 26 wounded in the mishap. Washington was not involved in any other major fighting on the expedition, and the British scored a major strategic victory, gaining control of the Ohio Valley, when the French abandoned the fort. Following the expedition, Washington retired from his Virginia Regiment commission in December 1758. He did not return to military life until the outbreak of the revolution in 1775.

Lessons learned

Although Washington never gained the commission in the British army he yearned for, in these years the young man gained valuable military, political, and leadership skills. He closely observed British military tactics, gaining a keen insight into their strengths and weaknesses that proved invaluable during the Revolution. He demonstrated his toughness and courage in the most difficult situations, including disasters and retreats. He developed a command presence—given his size, strength, stamina, and bravery in battle, he appeared to soldiers to be a natural leader and they followed him without question. Washington learned to organize, train, drill, and discipline his companies and regiments. From his observations, readings and conversations with professional officers, he learned the basics of battlefield tactics, as well as a good understanding of problems of organization and logistics. He gained an understanding of overall strategy, especially in locating strategic geographical points. Historian Ron Chernow is of the opinion that his frustrations in dealing with government officials during this conflict led him to advocate the advantages of a strong national government and a vigorous executive agency that could get results; other historians tend to ascribe Washington's position on government to his later American Revolutionary War service.  He developed a very negative idea of the value of militia, who seemed too unreliable, too undisciplined, and too short-term compared to regulars. On the other hand, his experience was limited to command of at most 1000 men, and came only in remote frontier conditions that were far removed from the urban situations he faced during the Revolution at Boston, New York, Trenton and Philadelphia.

Commander in chief

After the Battles of Lexington and Concord near Boston in April 1775, the colonies went to war. Washington appeared at the Second Continental Congress in a military uniform, signaling that he was prepared for war. Washington had the prestige, military experience, charisma and military bearing of a military leader and was known as a strong patriot. Virginia, the largest colony, deserved recognition, and New England—where the fighting began—realized it needed Southern support. Washington did not explicitly seek the office of commander and said that he was not equal to it, but there was no serious competition. Congress created the Continental Army on June 14, 1775. Nominated by John Adams of Massachusetts, Washington was then appointed Major General and Commander-in-chief.

Washington had three roles during the war. In 1775–77, and again in 1781 he led his men against the main British forces. Although he lost many of his battles, he never surrendered his army during the war, and he continued to fight the British relentlessly until the war's end. He plotted the overall strategy of the war, in cooperation with Congress.

Second, he was charged with organizing and training the army. He recruited regulars and assigned General von Steuben, a German professional, to train them. The war effort and getting supplies to the troops were under the purview of Congress, but Washington pressured the Congress to provide the essentials. In June 1776 Congress' first attempt at running the war effort was established with the committee known as "Board of War and Ordnance", succeeded by the Board of War in July 1777, a committee which eventually included members of the military. The command structure of the Americans' armed forces was a hodgepodge of Congressional appointees (and Congress sometimes made those appointments without Washington's input) with state-appointments filling the lower ranks and of all of the militia-officers. The results of his general staff were mixed, as some of his favorites (like John Sullivan) never mastered the art of command. Eventually he found capable officers, like General Nathaniel Greene, and his chief-of-staff Alexander Hamilton. The American officers never equalled their opponents in tactics and maneuver, and consequently they lost most of the pitched battles. The great successes, at Boston (1776), Saratoga (1777) and Yorktown (1781), came from trapping the British far from base with much larger numbers of troops.

Constitutional Convention (1787)

Washington's retirement to Mount Vernon was short-lived. He made an exploratory trip to the western frontier in 1784, was persuaded to attend the Constitutional Convention in Philadelphia in the summer of 1787, and was unanimously elected president of the Convention. He participated little in the debates (though he did vote for or against the various articles), but his high prestige maintained collegiality and kept the delegates at their labors. The delegates designed the presidency with Washington in mind, and allowed him to define the office once elected. After the Convention, his support convinced many to vote for ratification; the new Constitution was ratified by all thirteen states.

Presidency (1789–1797)

The Electoral College elected Washington unanimously as the first president in 1789, and again in the 1792 election; he remains the only president to have received 100 percent of the electoral votes. John Adams, who received the next highest vote total, was elected Vice President. At his inauguration, Washington took the oath of office as the first President of the United States of America on April 30, 1789, at Federal Hall in New York City.

The 1st United States Congress voted to pay Washington a salary of $25,000 a year—a large sum in 1789. Washington, already wealthy, declined the salary, since he valued his image as a selfless public servant. At the urging of Congress, however, he ultimately accepted the payment, to avoid setting a precedent whereby the presidency would be perceived as limited only to independently wealthy individuals who could serve without any salary. The president, aware that everything he did set a precedent, attended carefully to the pomp and ceremony of office, making sure that the titles and trappings were suitably republican and never emulated European royal courts. To that end, he preferred the title "Mr. President" to the more majestic names suggested.

Washington proved an able administrator. An excellent delegator and judge of talent and character, he talked regularly with department heads and listened to their advice before making a final decision. In handling routine tasks, he was "systematic, orderly, energetic, solicitous of the opinion of others but decisive, intent upon general goals and the consistency of particular actions with them."

Washington reluctantly served a second term. He refused to run for a third, establishing the customary policy of a maximum of two terms for a president.

Retirement (1797–1799)

After retiring from the presidency in March 1797, Washington returned to Mount Vernon with a profound sense of relief. He devoted much time to farming and other business interests, including his distillery which produced its first batch of spirits in February 1797. As Chernow (2010) explains, his farm operations were at best marginally profitable. The lands out west yielded little income because they were under attack by Indians and the squatters living there refused to pay him rents. However most Americans assumed he was truly rich because of the well-known "glorified façade of wealth and grandeur" at Mount Vernon. Historians estimate his estate was worth about $1 million in 1799 dollars, equivalent to about $18 million in 2009 purchasing power.

By 1798 relations with France had deteriorated to the point that war seemed imminent, and on July 4, 1798, President Adams offered Washington a commission as lieutenant general and Commander-in-chief of the armies raised or to be raised for service in a prospective war. He reluctantly accepted, and served as the senior officer of the United States Army between July 13, 1798, and December 14, 1799. He participated in the planning for a Provisional Army to meet any emergency that might arise, but avoided involvement in details as much as possible, delegating most of the work, including leadership of the army, to Hamilton.

Death

On Thursday December 12, 1799, Washington spent several hours inspecting his farms on horseback, in snow, hail and freezing rain — later that evening eating his supper without changing from his wet clothes. Friday morning, he awoke with a severe sore throat (either quinsy or acute epiglottitis) and became increasingly hoarse as the day progressed. Sometime around 3 am that Saturday morning, he awoke his wife and said he felt ill. The illness progressed until Washington's death at home around 10 pm on Saturday December 14, 1799, aged 67. His last words were "'Tis well."

Throughout the world, men and women were saddened by Washington's death. Napoleon ordered ten days of mourning throughout France; in the United States, thousands wore mourning clothes for months. To protect their privacy, Martha Washington burned the correspondence between her husband and herself following his death. Only a total of five letters between the couple are known to have survived, two letters from Martha to George and three from George to Martha.

On December 18, 1799, a funeral was held at Mount Vernon, where his body was interred. Congress passed a joint resolution to construct a marble monument in the United States Capitol for his body, supported by Martha. In December 1800, the United States House passed an appropriations bill for $200,000 to build the mausoleum, which was to be a pyramid that had a base 100 feet (30 m) square. Southern opposition to the plan defeated the measure because they felt it was best to have his body remain at Mount Vernon.

In 1831, for the centennial of his birth, a new tomb was constructed to receive his remains. That year, an attempt was made to steal the body of Washington, but proved to be unsuccessful. Despite this, a joint Congressional committee in early 1832 debated the removal of Washington's body from Mount Vernon to a crypt in the Capitol, built by Charles Bulfinch in the 1820s. Yet again, Southern opposition proved very intense, antagonized by an ever-growing rift between North and South. Congressman Wiley Thompson of Georgia expressed the fear of Southerners when he said:

Remove the remains of our venerated Washington from their association with the remains of his consort and his ancestors, from Mount Vernon and from his native State, and deposit them in this capitol, and then let a severance of the Union occur, and behold the remains of Washington on a shore foreign to his native soil.

This ended any talk of the movement of his remains, and he was moved to the new tomb that was constructed there on October 7, 1837, presented by John Struthers of Philadelphia. After the ceremony, the inner vault's door was closed and the key was thrown into the Potomac.

Legacy

First in war, first in peace, and first in the hearts of his countrymen, he was second to none in humble and enduring scenes of private life. Pious, just, humane, temperate, and sincere; uniform, dignified, and commanding; his example was as edifying to all around him as were the effects of that example lasting...Correct throughout, vice shuddered in his presence and virtue always felt his fostering hand. The purity of his private character gave effulgence to his public virtues...Such was the man for whom our nation mourns.

Lee's words set the standard by which Washington's overwhelming reputation was impressed upon the American memory. Washington set many precedents for the national government, and the presidency in particular, and was called the "Father of His Country" as early as 1778. Washington's Birthday (celebrated on Presidents' Day), is a federal holiday in the United States.

During the United States Bicentennial year, George Washington was posthumously appointed to the grade of General of the Armies of the United States by the congressional joint resolution Public Law 94-479 passed on January 19, 1976, with an effective appointment date of July 4, 1976. This restored Washington's position as the highest-ranking military officer in U.S. history.

Vincent van Gogh

Vincent Willem van Gogh, March 30, 1853 – July 29, 1890) was a Dutch post-Impressionist painter whose work had a far-reaching influence on 20th century art as a result of its vivid colors and emotional impact. Suffering from anxiety and increasingly frequent bouts of mental illness throughout his life, he died largely unknown at the age of 37 from a self-inflicted gunshot wound.

Van Gogh did not begin painting until his late twenties, most of his best-known works dating from his last two years. In less than a decade, he produced more than 2,000 artworks, consisting of around 900 paintings and 1,100 drawings and sketches. His work included self portraits, landscapes, portraits, and paintings of cypresses, wheat fields and sunflowers.

Van Gogh spent his early adulthood working for a firm of art dealers, traveling between The Hague, London and Paris, after which he taught for a time in England. One of his early aspirations was to become a pastor and from 1879 he worked as a missionary in a mining region in Belgium where he began to sketch people from the local community. In 1885, he painted his first major work The Potato Eaters. His palette at the time consisted mainly of somber earth tones and showed no sign of the vivid coloration that distinguished his later work. In March 1886, he moved to Paris and discovered the French Impressionists. Later he moved to the south of France and was taken by the strong sunlight he found there. His work grew brighter in color, and he developed the unique and highly recognizable style which became fully realized during his stay in Arles in 1888.

The extent to which his mental illness affected his painting has been a subject of speculation since his death. Despite a widespread tendency to romanticize his ill health, modern critics see an artist deeply frustrated by the inactivity and incoherence brought about by his bouts of illness. According to art critic Robert Hughes, Van Gogh's late works show an artist at the height of his ability, completely in control and "longing for concision and grace".

Work

Van Gogh drew and painted with watercolors while at school; few of these works survive and authorship is challenged on some of those that do. When he committed to art as an adult, he began at an elementary level, copying the Cours de dessin, a drawing course edited by Charles Bargue. Within two years he had begun to seek commissions. In Spring 1882, his uncle, Cornelis Marinus, owner of a well-known gallery of contemporary art in Amsterdam, asked him for drawings of the Hague. Van Gogh's work did not live up to his uncle's expectations. Marinus offered a second commission, this time specifying the subject matter in detail, but was once again disappointed with the result. Nevertheless, Van Gogh persevered. He improved the lighting of his studio by installing variable shutters and experimented with a variety of drawing materials. For more than a year he worked on single figures—highly elaborated studies in "Black and White", which at the time gained him only criticism. Today, they are recognized as his first masterpieces.

Early in 1883, he began to work on multi-figure compositions, which he based on his drawings. He had some of them photographed, but when his brother remarked that they lacked liveliness and freshness, he destroyed them and turned to oil painting. By Autumn 1882, his brother had enabled him financially to turn out his first paintings, but all the money Theo could supply was soon spent. Then, in spring 1883, Van Gogh turned to renowned Hague School artists like Weissenbruch and Blommers, and received technical support from them, as well as from painters like De Bock and Van der Weele, both Hague School artists of the second generation. When he moved to Nuenen after the intermezzo in Drenthe he began a number of large-sized paintings but destroyed most of them. The Potato Eaters and its companion pieces—The Old Tower on the Nuenen cemetery and The Cottage—are the only ones to have survived. Following a visit to the Rijksmuseum, Van Gogh was aware that many of his faults were due to lack of technical experience. So he traveled to Antwerp and later to Paris to learn and develop his skill.

More or less acquainted with Impressionist and Neo-Impressionist techniques and theories, Van Gogh went to Arles to develop these new possibilities. But within a short time, older ideas on art and work reappeared: ideas such as working with serial imagery on related or contrasting subject matter, which would reflect on the purposes of art. As his work progressed, he painted many Self-portraits. Already in 1884 in Nuenen he had worked on a series that was to decorate the dining room of a friend in Eindhoven. Similarly in Arles, in spring 1888 he arranged his Flowering Orchards into triptychs, began a series of figures that found its end in The Roulin Family series, and finally, when Gauguin had consented to work and live in Arles side-by-side with Van Gogh, he started to work on The Décorations for the Yellow House, which was by some accounts the most ambitious effort he ever undertook. Most of his later work is involved with elaborating on or revising its fundamental settings. In the spring of 1889, he painted another, smaller group of orchards. In an April letter to Theo, he said, "I have 6 studies of Spring, two of them large orchards. There is little time because these effects are so short-lived.

The art historian Albert Boime was the first to show that Van Gogh—even in seemingly fantastical compositions like Starry Night—based his work in reality. The White House at Night, shows a house at twilight with a prominent star surrounded by a yellow halo in the sky. Astronomers at Southwest Texas State University in San Marcos calculated that the star is Venus, which was bright in the evening sky in June 1890 when Van Gogh is believed to have painted the picture.

The paintings from the Saint-Rémy period are often characterized by swirls and spirals. The patterns of luminosity in these images have been shown to conform to Kolmogorov's statistical model of turbulence.

Self Portraits

Van Gogh created many self-portraits during his lifetime. He was a prolific self-portraitist, who painted himself 37 times between 1886 and 1889. In all, the gaze of the painter is seldom directed at us; even when it is a fixed gaze, he seems to look elsewhere. The paintings vary in intensity and color and some portray the artist with beard, some beardless, some with bandages; representing the episode in which he severed one of his ears. Self-portrait Without Beard, from the end of September 1889, is one of the most expensive paintings of all time, selling for $71.5 million in 1998 in New York. At the time, it was the third (or an inflation-adjusted fourth) most expensive painting ever sold. It was also Van Gogh's last self-portrait. Given as a birthday gift to his mother.

All of the self-portraits Van Gogh executed in Saint-Rémy show the artist's head from the right-the side opposite his mutilated ear-since he painted himself as he saw himself in the mirror. During the final weeks of his life in Auvers-sur-Oise, he produced many paintings, but no self-portraits.

Portraits

Van Gogh, known for his landscapes, seemed to find painting portraits his greatest ambition. He said of portrait studies, "the only thing in painting that excites me to the depths of my soul, and which makes me feel the infinite more than anything else.

To his sister he wrote, "I should like to paint portraits which appear after a century to people living then as apparitions. By which I mean that I do not endeavor to achieve this through photographic resemblance, but my means of our impassioned emotions—that is to say using our knowledge and our modern taste for color as a means of arriving at the expression and the intensification of the character."

Of painting portraits, Van Gogh wrote: "in a picture I want to say something comforting as music is comforting. I want to paint men and women with that something of the eternal which the halo used to symbolize, and which we seek to communicate by the actual radiance and vibration of our coloring."

Cypresses

One of the most popular and widely known series of Van Gogh's paintings are his Cypresses. During the Summer of 1889, at sister Wil's request, he made several smaller versions of Wheat Field with Cypresses. The works are characterised by swirls and densely painted impasto—and produced one of his best-known paintings—The Starry Night. Other works from the series have similar stylistic elements including Olive Trees with the Alpilles in the Background (1889) Cypresses (1889), Cypresses with Two Figures (1889–1890), Wheat Field with Cypresses (1889), (Van Gogh made several versions of this painting that year), Road with Cypress and Star (1890), and Starry Night Over the Rhone (1888). These have become synonymous with Van Gogh's work through their stylistic uniqueness. According to art historian Ronald Pickvance,

Road with Cypress and Star (1890), is compositionally as unreal and artificial as the Starry Night. Pickvance goes on to say the painting Road with Cypress and Star represents an exalted experience of reality, a conflation of North and South, what both Van Gogh and Gauguin referred to as an "abstraction". Referring to Olive Trees with the Alpilles in the Background, on or around 18 June 1889, in a letter to Theo, he wrote, "At last I have a landscape with olives and also a new study of a Starry Night.

Hoping to also have a gallery for his work, his major project at this time was a series of paintings including Still Life: Vase with Twelve Sunflowers (1888), and Starry Night Over the Rhone (1888) that all intended to form the décorations for the Yellow House.

Flowering Orchards

The series of Flowering Orchards, sometimes referred to as the Orchards in Blossom paintings, were among the first group of work that Van Gogh completed after his arrival in Arles, Provence in February 1888. The 14 paintings in this group are optimistic, joyous and visually expressive of the burgeoning Springtime. They are delicately sensitive, silent, quiet and unpopulated. About The Cherry Tree Vincent wrote to Theo on 21 April 1888 and said he had 10 orchards and: one big (painting) of a cherry tree, which I've spoiled. The following spring he painted another smaller group of orchards, including View of Arles, Flowering Orchards.

Van Gogh was taken by the landscape and vegetation of the South of France, and often visited the farm gardens near Arles. Because of the vivid light supplied by the Mediterranean climate his palette significantly brightened. From his arrival, he was interested in capturing the effect of the Seasons on the surrounding landscape and plant life.

Flowers

Van Gogh painted several versions of landscapes with flowers, as seen in View of Arles with Irises, and paintings of flowers, such as Irises, Sunflowers, lilacs, roses, oleanders and other flowers. Some of the paintings of flowers reflect his interests in the language of color and also in Japanese ukiyo-e woodblock prints.

He completed two series of sunflowers: the first while he was in Paris in 1887, and the second during his stay in Arles the following year. The first series shows living flowers in the ground. In the second series, they are dying in vases. However, the 1888 paintings were created during a rare period of optimism for the artist. He intended them to decorate a bedroom where Gauguin was supposed to stay in Arles that August, when the two would create the community of artists Van Gogh had long hoped for. The flowers are rendered with thick brushstrokes (impasto) and heavy layers of paint.

In an August 1888 letter to Theo, he wrote,

"I am hard at it, painting with the enthusiasm of a Marseillais eating bouillabaisse, which won't surprise you when you know that what I'm at is the painting of some sunflowers. If I carry out this idea there will be a dozen panels. So the whole thing will be a symphony in blue and yellow. I am working at it every morning from sunrise on, for the flowers fade so quickly. I am now on the fourth picture of sunflowers. This fourth one is a bunch of 14 flowers ... it gives a singular effect.

Death

Recently acquitted from the hospital, Van Gogh suffered a severe setback in December 1889. Although he had been troubled by mental illness throughout his life, the episodes became more pronounced during his last few years. In some of these periods he was either unwilling or unable to paint, a factor which added to the mounting frustrations of an artist at the peak of his ability. His depression gradually deepened. On 27 July 1890, aged 37, he walked into a field and shot himself in the chest with a revolver. He survived the impact and managed to walk back to the Ravoux Inn. He died there two days later. Theo rushed to be at his side. Theo reported his brother's last words as "La tristesse durera toujours" (the sadness will last forever).

A moving account of his death and funeral was given by Emile Bernard in a letter to Albert Aurier. Anton Hirschig, a fellow lodger at the inn, has left a much bleaker account of his death.

Theo's health deteriorated in the months after the death of his brother. He had suffered from syphilis—though this was not admitted by the family for many years. He was admitted to the hospital; weak and unable to come to terms with Vincent's absence, he died six months later, on 25 January, at Utrecht. In 1914, Theo's body was exhumed and re-buried with his brother at Auvers-sur-Oise.

While most of Vincent's late paintings are somber, they are essentially optimistic and reflect a desire to return to lucid mental health. However, the paintings completed in the days before his suicide are severely dark. His At Eternity's Gate, a portrayal of an old man holding his head in his hands, is particularly bleak. The work serves as a compelling and poignant expression of the artist's state of mind in his final days. Over the years there has been much debate as to the source of Van Gogh's illness and its effect on his work. Over 150 psychiatrists have attempted to label its root, with some 30 different diagnoses. Diagnoses that have been put forward include schizophrenia, bipolar disorder, syphilis, poisoning from swallowed paints, temporal lobe epilepsy and acute intermittent porphyria. Any of these could have been the culprit and been aggravated by malnutrition, overwork, insomnia and consumption of alcohol, especially absinthe.

Influence

In his final letter to Theo, Vincent admitted that as he did not have any children, he viewed his paintings as his progeny. Reflecting on this, the historian Simon Schama concluded that he "did have a child of course, Expressionism, and many, many heirs." Schama mentioned a wide number of artists who have adapted elements of Van Gogh's style, including Willem de Kooning, Howard Hodgkin and Jackson Pollock. The French Fauves, including Henri Matisse, extended both his use of color and freedom in applying it, as did German Expressionists in the Die Brücke group, as well as other early modernists. Abstract Expressionism of the 1940s and 1950s is seen as in part inspired from Van Gogh's broad, gestural brush strokes. In the words of art critic Sue Hubbard: "At the beginning of the twentieth century Van Gogh gave the Expressionists a new painterly language which enabled them to go beyond surface appearance and penetrate deeper essential truths. It is no coincidence that at this very moment Freud was also mining the depths of that essentially modern domain—the subconscious. This beautiful and intelligent exhibition places Van Gogh where he firmly belongs; as the trailblazer of modern art."

In 1957, Francis Bacon (1909–1992) based a series of paintings on reproductions of Van Gogh's The Painter on the Road to Tarascon, the original of which was destroyed during World War II. Bacon was inspired by not only an image he described as "haunting", but also Van Gogh himself, whom Bacon regarded as an alienated outsider, a position which resonated with Bacon. The Irish artist further identified with Van Gogh's theories of art and quoted lines written in a letter to Theo, "Real painters do not paint things as they are...They paint them as they themselves feel them to be". An exhibition devoted to Vincent van Gogh's letters took place in the Van Gogh Museum in Amsterdam from October 2009 to January 2010 and then moved to the Royal Academy in London from late January to April.

Harry Potter and the Deathly Hallows – Part 2

Harry Potter and the Deathly Hallows – Part 2 is a 2011 epic fantasy film directed by David Yates and the second of two films based on the novel of the same name by J. K. Rowling. It is the eighth and final instalment in the Harry Potter film series, written by Steve Kloves and produced by David Heyman, David Barron and Rowling. The story continues to follow Harry Potter on a quest to find and destroy Lord Voldemort's remaining Horcruxes. The film stars Daniel Radcliffe as Harry Potter, alongside Rupert Grint and Emma Watson as Harry's best friends Ron Weasley and Hermione Granger. The supporting cast features Ralph Fiennes, Alan Rickman, Helena Bonham Carter and Maggie Smith.

Principal photography began on 19 February 2009 and was completed on 12 June 2010, with the final day of reshoots taking place on 21 December 2010 marking the series' closure of ten years of filming. Part 2 will be released in 3D, along with 2D formats, in IMAX on 15 July 2011.

Production

Part 2 was filmed back-to-back with Harry Potter and the Deathly Hallows – Part 1 from 19 February 2009 to 12 June 2010, with reshoots for the Epilogue scene taking place at Leavesden Film Studios on 21 December 2010. Director David Yates described Part 2 as "operatic, colourful and fantasy-oriented", a "big opera with huge battles."

Soundtrack

Composer of the first three films, John Williams, expressed interest in returning for Deathly Hallows - Part 2 if it fit his schedule. Director David Yates stated that he was eager to work with Williams on the score, but it was not possible due to their conflicting schedules. It was confirmed via the Warner Bros. website that Part 1 composer, Alexandre Desplat, was set to return for Part 2. In an interview with Film Music Magazine, Desplat stated that scoring Part 2 is "a great challenge" and that he has "a lot of expectations to fulfill and a great deal of work" ahead of him. Desplat started writing the music in early 2011 and finished recording with orchestrator Conrad Pope and the London Symphony Orchestra on 27 May 2011 at Abbey Road Studios, as stated on Pope's official Facebook page.

Marketing

In March 2011, the first preview for Deathly Hallows - Part 2 was released revealing new footage and new interviews from the starring cast. A teaser poster was released on 28 March 2011 with the caption "It All Ends 7.15" (referring to its international release date). On 27 April 2011, the first theatrical trailer for Part 2 was released. The trailer revealed a range of new and old footage. A month later, a set of eleven posters was released each illustrating a different character with the caption "It All Ends" and a background depicting the Battle of Hogwarts. The IMAX trailer for the film was released with IMAX screenings of Pirates of the Caribbean: On Stranger Tides on 20 May 2011. During the MTV Movie Awards on 5 June 2011, Emma Watson presented a sneak peek of the film.

On June 8, 11 brand new character posters were released by Warner Brothers. The featured characters were Harry Potter, Hermione Granger, Ron Weasley, Neville Longbottom, the Weasley Twins(Fred and George), Minerva McGonagall, Griphook the Goblin, Draco Malfoy, Bellatrix Lestrange, Severus Snape, and Lord Voldemort. There should be a theatrical poster released in July. Five banners/billboards were released, one with Harry and Voldemort fighting,one with the Trio riding a dragon, one with Voldemort casting a spell, Harry Casting a Spell and Ron and Hermione in Battle. Two posters were released, with one with the heroes and the other with the villains

The official theatrical trailer for Part 2 (and the final Harry Potter theatrical trailer) was released on 16 June 2011.

On the official site cut scenes were released on June 16 between options featuring the gringotts escape, Attack on Hogwarts, Nagini attack on Ron and Hermione.

Release

On 2 April 2011, a test screening of Part 2 was held in Chicago. Director David Yates, producers David Heyman and David Barron and the film's editor Mark Day were in attendance. Part 2 will have its world premiere on 7 July 2011 at Trafalgar Square in London. The second part will be released worldwide on 15 July 2011, eight months after Part 1. Unlike Part 1, it will also be released in 2D, 3D and IMAX formats.

On 16 June 2011, Part 2 received a 12A certificate from the British Board of Film Classification, who note that the film "contains moderate threat, injury detail and language", becoming the only Potter film to receive a warning for "injury detail". The MPAA rated it PG-13 for intense action violence and frightening images

Plot

After destroying one Horcrux and discovering the significance of the three Deathly Hallows, Harry, Ron and Hermione continue to seek Lord Voldemort's remaining Horcruxes in an attempt to destroy him. However, now that the Dark Lord has obtained the yet unbeatable Elder Wand, he aims to complete his final stage to ultimate power and launches an attack on Hogwarts School, where the trio return for one last stand against the dark forces that threaten to take over the Wizarding and Muggle worlds. Harry must confront his fate and battle Voldemort one last time.

Cast

Daniel Radcliffe as Harry Potter, the film's main protagonist.

Rupert Grint as Ron Weasley, Harry's best friend and Hermione's romantic interest.

Emma Watson as Hermione Granger, Harry's other best friend and Ron's romantic interest.

Helena Bonham Carter as Bellatrix Lestrange, a Death Eater, the film's secondary antagonist and Sirius Black's cousin and murderer.

Jim Broadbent as Horace Slughorn, the potions master at Hogwarts.

Robbie Coltrane as Rubeus Hagrid, Harry's half-giant friend and a former teacher at Hogwarts.

Warwick Davis as Filius Flitwick, the Charms teacher at Hogwarts and Griphook the Goblin.

Tom Felton as Draco Malfoy, Harry's rival and a Death Eater.

Ralph Fiennes as Lord Voldemort, the primary antagonist, a merciless power-hungry wizard, and the leader of the Death Eaters, hell bent on killing Harry.

Michael Gambon as Albus Dumbledore, former headmaster of Hogwarts killed by Severus Snape two films earlier.

Ciarán Hinds as Aberforth Dumbledore, Albus Dumbledore's brother and bartender of the Hog's Head inn. Hinds replaced Jim McManus, who portrayed the character in the fifth film.

John Hurt as Ollivander, a wandmaker abducted by the Death Eaters.

Jason Isaacs as Lucius Malfoy, Draco Malfoy's father and a disgraced Death Eater.

Matthew Lewis as Neville Longbottom, the trio's friend and the rebellion's leader at Hogwarts.

Gary Oldman as Sirius Black, Harry's godfather. Killed in battle three films earlier by Bellatrix Lestrange. 

Alan Rickman as Severus Snape, a spy to Dumbledore and the new headmaster of Hogwarts.

Maggie Smith as Minerva McGonagall, the transfiguration teacher, Deputy Headmistress and future Headmistress at Hogwarts.

David Thewlis as Remus Lupin, a member of the Order of the Phoenix and a former Defence Against the Dark Arts teacher at Hogwarts.

Emma Thompson as Sybill Trelawney, the divination teacher at Hogwarts.

Julie Walters as Molly Weasley, the Weasley matriarch and a mother figure to Harry.

Bonnie Wright as Ginny Weasley, Harry's romantic interest.

Joshua Herdman announced on 9 August 2009 that Jamie Waylett would not be reprising his role as Vincent Crabbe for Harry Potter and the Deathly Hallows - Part 2. Waylett's character would instead be written out and his role in the plot taken over by Herdman's character, Gregory Goyle.

Director David Yates has announced that, for the final scene in the film which is set nineteen years after the film's main story, older actors will not be cast to play the main characters. A mix of make-up and special effects will be used to depict the cast members as older.